Routing around obstacles

 

The Net interprets censorship as damage and routes around it. So said John Gilmore in an article published over twenty years ago. A few years later John Perry Barlow came up with A Declaration of the Independence of Cyberspace.

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Growing up in India in the 1960s and 1970s, people like me thought of this guy as a hero. Max Yasgur. A stream of consciousness that included Joni Mitchell and Crosby Stills and Nash and Matthews Southern Comfort. Camping out on the land and setting my soul free.

My grandfather’s generation lived through two world wars and a struggle for independence; my father’s generation through a good deal of that; Korea and Vietnam were soon t0 follow, and the Middle East was all set to take centre stage.

Not surprisingly, many in the generation I was and am part of took heart at the promise of community, of togetherness, of connected people changing the world. Not surprisingly, that is likely to have influenced much of how I thought about the internet, the Web, connected communities. I wasn’t alone in that, whole shelves of books have probably been written about it.

That’s the kind of reason why I’ve always said that the roots of my understanding of open source were more in the Grateful Dead and in the Well than in anything else.

This optimism had an early payoff. Those who were in India between 1975 and 1977 will remember the Emergency. Dark days. Totalitarian control. Terror. Censorship. Opposition in jail. Total. Control.

And then they called an election.

The opposition cried foul.

And yet.

The opposition won.

I was 17 when the Emergency began, 19 when it ended. Many said that the 1977 election was the greatest show democracy had ever put on.

I believed.

Roll forward to today.

Polarised opinion everywhere. Polarisation that quickly became hate, with physical violence close to the surface, leaking out here and there. Extremism. Guerrilla terrorism. People and parties hitherto considered unelectable getting elected, with the likelihood of more to come. A connected world getting rapidly disconnected. Barriers coming up, not just the ones of the past, but new ones as well. Hatred everywhere.

Hmmm.

That wasn’t the way it was meant to be.

I grew up in the Summer of Love. I was seeing something closer to the Winter of Hate.

Hmmm.

As a grandfather, I found myself in the same place that many generations before me had found themselves. What kind of world are we bringing our descendants into? Is it better or worse than the one we came into?

I believe in the power of connected people working together for good. I believe that those connections get harder and harder to game, to filter centrally, to control. I believe that as a result this world can be a better place.

I believe there doesn’t have to be a continuing Winter of Hate. But it needs three things.

Ubiquitous, affordable connectivity.

Education.

More than anything else, a respect for human dignity, a tolerance for diversity.

Whatever happens with the current polarised debates, referenda, elections, wars and terrorism, it’s not about who’s right and who’s wrong; there is an after to come, an after where there are no winners and losers. Just people who have to learn to live together.

That “after” requires all three things: the connectivity, the education, the respect for human dignity.

That’s what we have to ensure we leave to our children’s children.

Routing around obstacles.

Thinking about unGoogleable questions and cricket

Please note: Unless you’re a complete cricket statto nerd, this post is unlikely to be of the slightest interest to you. [Updated following comments. See below].

Many years ago, I used to take pleasure in setting questions that were hard to answer via Google.

My favourite example was this: In Test cricket, we are currently playing Test numbers 2197 and 2198. In each Test, we can have up to 44 “completed innings”, if all 11 players bat twice. So we have, as of today, a maximum of 2198×44 or close to 100,000 individual “completed innings” scores. In practice the total number of completed innings is much lower, probably closer to 50,000.

The lowest possible completed innings is 0. The highest achieved so far is Brian Lara’s 400. All the other innings completed so far are somewhere between 0 and 400.

Now imagine you have a Bingo card with all the numbers from 0 to 400. Imagine every completed innings to be a number called at the bingo session.

My unGoogleable question used to be: What is the lowest unscratched number on the card? But since I’ve written about it years ago, the answer is  now easily discoverable. It’s 229. No batsman has ended a Test innings on 229 thus far.

Obviously this number moves. The last time it moved was when Herschelle Gibbs scored 228 almost exactly thirteen years ago.

When Gibbs scored 228, there were one hundred and seventeen unscratched numbers between 228 and 400.

This past year, 2015, was a bumper year for scratches. We lost 245 to Shoaib Malik, 263 to Alastair Cook, 269 to Adam Voges and 290 to Ross Taylor.

Here’s what has happened since Gibbs’ 228:

  • 2003: Hayden scratches 280
  • 2004: Tendulkar lays aside 241 and 248; Atapattu flays 249; Sehwag takes out 309; Jayasuriya removes 253; and Lara blasts 400. A record year, six scratched.
  • 2005: Gayle hammers 317
  • 2006: Jayawardene slams 374
  • 2007: A fallow year
  • 2008: Sehwag (again!) takes out 319
  • 2009: Sehwag (yet again!) demolishes 293 and Younis does the same to 313
  • 2010: Another fallow year
  • 2011: Cook (who also shone last year) erases 294
  • 2012: Fallow
  • 2013: Fallow
  • 2014: Fallow (though Sangakkara doubled up Sehwag’s 319)
  • 2015: 245 (Shoaib) 263 (Cook) 269 (Voges) 290 (Taylor) disappear

So, since Herschelle Gibbs hit his 228, we’ve seen seventeen of the unscratched go, four last year alone.

Just one hundred more to go.

holiday reading

Serious downtime is something I’ve grown to cherish more and more as I’ve grown older. I take care to ensure that as little as possible is planned into the downtime, other than to spend time with my family and with myself.

When it comes to my own time, there are two things I plan in detail. What I’m going to read. What I’m going to watch.

The watching bit is easy. As little as possible.

The reading bit takes a little more work, it’s something I start preparing for months in advance.

Some of you have asked me to share my holiday reading list, so here it is, in no particular order.

  1. Alice Roberts, The Incredible Unlikeliness of Being
  2. Lou Beach, 420 Characters
  3. Cervantes and Davis, The Complete Don Quixote
  4. Jeffery Pomerantz, Metadata
  5. Michael Pearce, The Mouth Of The Crocodile
  6. Jenkins, Ito and boyd: Participatory Culture in a Networked Era
  7. Ilan Stavans, Quixote: The Novel and the World
  8. Wiener, The Human Use of Human Beings
  9. Weisman, The World Without Us
  10. Brunton and Nissenbaum, Obfuscation

I’m quite excited by the list. I’ve already started the Ilan Stavans, reading it for the first time. Amazing. The Wiener and Weismans are both second time around. I’ve skipped through Metadata as well as Obfuscation, this time I’ll be giving them a serious read, fountain pen and notebook ready to hand. The rest are virgin territory.

that holiday feeling

 

 

 

  • for those of you who celebrate it, a merry Christmas to you.
  • for those of you who don’t, the best of the holiday season to you.
  • for all of you, may 2016 be everything you want it to be.

I woke up early this morning. Habit. Not Christmas habit, everyday habit. And I did my usual thing, went downstairs, made a cup of tea, prayed, thought about the day and week to come.

And then I listened to some music. For some reason I wanted to listen to “old” Bee Gees so I did. Holiday was one of the songs I played. I love that song. Loved it when I heard it the first time. Loved it as a young man. Love it as a grandfather. But the lyrics? Judge for yourself.

 

 

The Sixties were like that. Insane lyrics, enough to make you cringe —  if you cared — if you were in a fit state to be able to care about things like lyrics. I couldn’t think about any form lyrical insanity without making a reference to Joe Cocker and his version of With a Little Help From My Friends. Now remember the lyrics in the original were simple and understandable — they had to be — McCartney and Lennon wrote it for Starr. The Cocker version is something else altogether, and makes it to the top of the pantheon of misheard lyrics, the patron saint of mondegreens.

I append the video below, but would exhort you not to watch it while trying to eat or drink anything, you could do yourself a serious injury and that wouldn’t be a good thing.

 

 

Staying on the subject of Joe Cocker, who sadly died this week last year, may he rest in peace. The video below is probably one of my favourite examples of cross-Atlantic collaboration. Cocker and Belushi doing Traffic and Mason.

 

 

And on that note, happy holidays.

Old friends…lost in their overcoats

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Lost in their overcoats. How I love that line.

An old friend, Abu, came over to see me some time ago. It was a very long time ago. 1971. I was 13. We were already old friends by then. I’d known him since early January 1966.

We still meet. We’ve kept in touch. We have dinner every now and then, especially when other school friends come through London. That happens a few times a year. Wherever we meet, whenever we meet, it’s like a gathering of the clans.

Minoo rolls into town every now and then, all the way from Tennessee. Vishnu from Singapore. Asani from New York. Vir from Dusseldorf. Ashok from the West Coast. Nishat from Calcutta.

And when one of them passes by, a small number of us gather. Pesi. Abu. Sumit. Shiel. Me.

Old friends. We will have known each other for fifty years next month. And we’re still in touch. Some sixty, seventy of us, going through our various rites of passage. Some of us are grandfathers now. Well, at least one of us. Me.

We’re in touch in many ways. Some via email. Some via Facebook. Some even via new-fangled things like Whatsapp. It doesn’t matter. What matters is that the tools help us meet regularly IRL. And we roll back time and laugh and reminisce and break bread together.

Old friends.

Where was I? Oh yes, Abu dropped by, in 1971.  Came to our flat in Moira Street. Our home. The place I lived in from the age of 11 till I was 23. An open-door establishment where the average guest count must have been five. (Actually that’s not accurate. They weren’t guests. They lived there. Along with about twenty others. Most of the time there were only four or five of them in occupation. But sometimes they were all there. Accompanied, of course, by the other “permanent” residents of the flat. My parents. My siblings. Me. My cousins.)

So Abu came along, carrying goodies. One of his family members had just come back from the UK. With two new albums. Two. New. Albums. Albums that hadn’t been released in India as yet. (An aside. The family then staying one floor below were the Menons. The father, Bhaskar Menon, was on the verge of becoming “the first Chairman and CEO of EMI Music worldwide”. At the time he was running Gramophone Company of India, in Dum Dum, the plant that was responsible for pressing about a third of the music I grew up listening to. And yes, it’s the same Dum Dum that gave its name to the expanding bullet).

Back to Abu (whom I called Shaf, not Abu. All the males in his family turned out to be called Abu. At which point I realised that the name everyone used for him wasn’t his name, it was some sort of title.)

Abu and the two albums. One of which was Bookends. Which gave me the chance to listen to Old Friends for the first time. If you haven’t heard it, go Google it and correct that omission now.

Listening to it this morning, I was reminded of the ways in which I “discovered” music in the late 1960s and throughout the 1970s. What I thought I’d do is to spend a little time writing about some other old friends, some songs that have meant a lot to me over the years, songs that not everyone would have heard, songs that some of you may find worthwhile.

Here we go.

Today I Killed A Man. Originally a Cook-Greenaway song, covered by many people since. Brought to my attention by Bertie Da Silva, another old friend, someone I last saw in May. He’s now Dean of Arts at the college I went to, a great musician, a great guitarist. After listening to Bertie’s wonderful rendition (must have been sometime in 1976) I went to the record shop in Lindsay St, just off New Market, and bought what I thought was “the” single, a White Plains cover.

Oh mama, mama I’m so cold/I feel that I am quickly growing old/I hope that you are thinking of your son/’cause tomorrow morning I’ll be twenty-one.

Time For The Leaving. A fabulous song by a vastly underrated group. Magna Carta. How did I come by this? Oh yes. The man behind the counter at the record shop on Lindsay St, a place I spent inordinate amounts of time. He used to be very kind to me and not throw away the posters he received for new releases; every now and then, he’d give me a few, telling me what he thought of their music while he did so. And so it was with Magna Carta. He gave me an LP cover sized poster, I think it was a Polydor release, in red and black. Told me about the group. Played Time for the Leaving as well as Airport Song. I was hooked. Still am.

and the yesterday face/a picture with moustache
looks down to the ground from the mantelpiece
this is my world alone
the blue cotton dress and the man on the cross on the wall

Long Chain On. Peter, Paul and Mary. A Jimmie Driftwood story song done beautifully by PP&M. My uncle Mohan stayed with us for a while in the mid 1960s and introduced me to In The Wind, the seminal PP&M album. And Long Chain On is one of the best tracks. Along with all the others. It’s that kind of album.

Though he was tired and hungry/A bright light came over his face/He bowed his head in the moonlight/he said a beautiful Grace. 

Sometimes In Winter. Blood Sweat and Tears. The incredible voice of Steve Katz given some airtime for once. How came I by this? Friend Gyan Singh, who was to marry my cousin. Gyan, who sadly passed away a few years ago.  He had a little stash of brilliant albums he brought over for me to listen to, including some Mayall and some BST.

Sometimes in winter/I gaze into the streets and walk through snow and city sleet/Behind your room.

Prison Song. Graham Nash. From his second solo album, Wild Tales. One of my uncle Mohan’s friends managed to find a Taiwanese import, a flimsy knockoff version of the album and parked it with us for a while. We devoured it. Amazing.

Kids in Texas smoking grass/Ten year sentence come to pass/Misdemeanor in Ann Arbor/Ask the judges why.

The best of the festive season to all of you.