Musing about comics and comedians

I’m fascinated by humourists, comics and comedians.  There’s something about them; I sense that a talented comic has a privileged view of the human condition, a perspective unlike any other.  So I feel I learn from watching them.  [More on this later.]

A good comic can make you laugh by a single word or gesture. For example, all I have to do is remember John Cleese goose-stepping or saying “Manuel”, or Rowan Atkinson uttering “Baldrick” and it brings a smile to my face.

If you’re like me, then take a look at this video of Rowan Atkinson, showcased at Spiked Humour.

And while you’re at it, why not spend some time listening to this band, hosted at College Humor? I cannot get over the facial expressions.

Capillaries can carry compressed context

I’ve been playing around with FoxyTunes, installing it in Firefox, getting the TwittyTunes extension. And it’s not just because I like music. I think what’s happening here is very powerful.

Let’s start with Twitter, it looks harmless and gormless, what possible use could it have? After all, what can you do in 140 characters? Let’s see.

First off, I can send messages that look like the one below. I typed it in myself, it described what I was doing at the time.

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What don’t I like about it? Well, it’s not good enough for the 21st century. For starters, I shouldn’t have to type it in. Something should be scraping what I am doing, capturing it in a way I can choose to share with others. Choose, we must remember that word. And what else? Oh yes, wouldn’t it be nice if I could enrich the information I was sending? Provide more information about the artist or group, maybe YouTube video links, maybe Wikipedia links, maybe Flickr links, maybe even the homepage of the band or group. How about a link to the song itself, so that someone else can sample it, try it out, decide for themselves if they like it? Maybe even a way to search for more information, and the tools to buy the CD or DVD in physical or digital format?

Chance would be a fine thing, but ….. how can I SMS all that? But wait a minute, the 140 character limit isn’t a real limit, not if I send a short url linking to all that. Or even better, having someone do that for me, a web service like tinyurl.

So now all I need is for someone to build an app that scrapes what I am listening to, figures out what it is, goes and collects the enrichments and conveniences I want to send with the information (band links, YouTube, Flickr, Google, Amazon, the Facebook fan page, maybe a Netvibes collection of related feeds, the Wikipedia entry and so on) and then packages all that into a small space using something like tinyurl.

Which brings me to TwittyTunes and FoxyTunes. Now my Twitter message looks like this:

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It does the scraping, directly out of my iTunes. It lets me choose whether to share what I am listening to with others, song by song. It sends the message on to Twitter. But that’s not where the value is. For that, you, the “follower” of my tweet, need to click on the link, and hey presto, you get something that looks like this:

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You see, this is why I play with things like Twitter. Not because I want to appear cool. But because I am so old and grey and slow that the best way I learn is by playing. Now I can really see how something like Twitter can add value in the enterprise. And I’m secure enough in myself to want to share what I find out, openly and freely. Which is what I’m doing here. [Without a business model or a monetisation plan in sight :-)]

It’s worth bearing a few things in mind. First there was the web. Then there was SMS. Without SMS there is no Twitter. Without the web there is no Twitter. Now we’ve had tinyurl for a long time, but it starts coming into its own when we start using something like Twitter. As a result of all this, someone else could build something like FoxyTunes (which looks like Netvibes meeting last.fm), and then building TwittyTunes to connect up with the Twitter world. And then suddenly everything else waltzes in to enrich what we can see and do, ranging from text to audio to video, from search and syndication and conversation to fulfilment.

What strikes me is the power manifest here, the power of connecting simple things like SMS and tinyurl and Twitter. Small pieces loosely joined, as David Weinberger said.

We are moving into a world where open multisided platforms will dominate, with simple standards and simple tools connecting up wide open spaces. We are seeing it happen now. This post is not about FoxyTunes. Or TwittyTunes. Twitter. Or Facebook. Or Google. Or Amazon. Or iTunes. Or Flickr. Or YouTube.

It’s about all of them. It’s about all of them, and the apps we don’t know about yet, the ones that will emerge tomorrow. How we can find ways of bringing all of them together and moving information around them, linking information between them, enriching and sharing that information beyond them.

By the way, we do stuff like this in the enterprise already. This is what we use e-mail and attachments for, this is why we use mailing lists and address books and spreadsheets and documents and presentations. All the things we’ve grown to love.

Or, in my case, hate. If you’re like me, you’ve had it with those tools. Absolutely had it. H.A.D. I.T. They are so not fit for purpose. Or. looking at it another way, there is a generation of tools out there that are so much more fit for purpose.

We’re not dealing with firehoses any more. We’re dealing with capillaries, as I discussed in my post yesterday. And these capillaries carry and distribute information nutrients, and process and eject information waste and toxins. The real power of all this lies in the increasing transportability of context.

Oh, incidentally, in the past, I’ve found the tools for grabbing screenshots frustratingly complex and time-consuming, so I’ve tended not to use them. It is fitting that this time around, I could do all this easily. Because of a project called Jing, and because I then had simple and seamless ways of going from Jing to Flickr to iPhoto to ecto to WordPress. And guess how I found out about Jing? Through someone’s tweet.

Also incidentally, it would be worth looking at the role played by the opensource movement in making sure we can move around so freely between all these applications. Which brings me to a strange conclusion. More a hypothesis. Am I right in considering the possibility that VRM is necessary only because everything is not opensource? That good opensource obviates the need for VRM? Doc? Don? Steve? Chris? Chris? Anyone out there?

Where it all began: The Bookmark Years : 1967 and 1971

I had some fun trying to pick my 50 best albums for 1971, and it looks like some of you enjoyed it as well. As my dad used to say, “repeat medicine until patient dies” (and no, he wasn’t a doctor, it was a phrase he used when executing squeeze plays in contract bridge; I took him to mean “more of the same, until it hurts”).

I arrived at 1971 almost randomly, influenced by what I was listening to at the time, which was Tull’s Aqualung. This time around, there’s nothing random about the year I’m choosing…. it’s the natural partner for 1971. If 1971 was a bookend, then surely the other bookend would be…. 1967.

So here goes: My top 50 albums for 1967, again in no particular order, but filtered on the basis they have Wikipedia entries. This time around, I’ve also found a faster route. Go to Wikipedia. Enter”1967″ and thereby get here. Then, using the sidebar on the right that says “1967 by topic”, hit “music” and thereby get here. Go to section 2, “Top Albums released in the US”, scan list and copy/paste those I have and like. Augment list from memory, eliding where I find no Wikipedia entry. And bingo.

[Incidentally, I have now found a page with albums released in 1971, which includes pretty much everything I’ve listed and quite a bit more. Worth a quick look.]

Here’s the list:

Mellow Yellow – Donovan

The Doors -The Doors

Sgt. Pepper’s Lonely Hearts Club Band – The Beatles

Buffalo Springfield -Buffalo Springfield

Bob Dylan’s Greatest Hits -Bob Dylan

The Grateful DeadThe Grateful Dead

Surrealistic Pillow – Jefferson Airplane

The Velvet Underground and Nico – The Velvet Underground

Are You Experienced?  Jimi Hendrix

Absolutely Free  The Mothers of Invention

Magical Mystery Tour  The Beatles

Buffalo Springfield Again  Buffalo Springfield

Disraeli Gears  Cream

Strange Days  The Doors

John Wesley Harding  Bob Dylan


Alice’s Restaurant  Arlo Guthrie

After Bathing At Baxter’s  Jefferson Airplane

Days of Future Passed  The Moody Blues

Blowin’ Your Mind!  Van Morrison

The Piper at the Gates of Dawn Pink Floyd (with Syd)

Procol Harum  Procol Harum

Their Satanic Majesties Request  The Rolling Stones

The Who Sell Out  The Who

Axis: Bold as Love  The Jimi Hendrix Experience

Mr. Fantasy  Traffic

The Way I Feel – Gordon Lightfoot

A Hard Road John Mayall and the Bluesbreakers

Ten Years After  Ten Years After

Album 1700 Peter Paul and Mary

Big Brother and The Holding Company Big Brother and The Holding Company


I-Feel-Like-I’m-Fixin’-To-Die Country Joe and the Fish

Just For You Neil Diamond

Matthew And Son Cat Stevens

Songs of Leonard Cohen Leonard Cohen

Sunshine Superman Donovan

Turn On, Tune In, Drop Out Timothy Leary

Universal Soldier Donovan

Something Else The Kinks

Forever Changes Love

Younger Than Yesterday The Byrds

Crusade John Mayall

Goodbye And Hello Tim Buckley

Smiley Smile The Beach Boys

Joan Joan Baez

Wildflowers Judy Collins

Evolution  The Hollies

Bee Gees 1st Bee Gees

 There’s a Kind of Hush All Over The World Herman’s Hermits

 I Was Made To Love Her Stevie Wonder

From The Beginning Small Faces

Doing something different with Desert Island Discs

I guess I’m slightly fanatical about music made in the late 1960s and early 1970s. There was so much wonderful music made during those days. So I thought I’d try constraining things differently in a pretend Desert Island DIscs selection.

I decided to choose exactly 50 albums from my collection.
Too difficult.
Still too many.
So I decided to choose only those albums that had a Wikipedia entry.
Still too many.
So then I said to myself, how about if I restrict myself to albums released in 1971?

Which is what I did. And then stopped when I got to 50. I could probably do 50 more. But here’s the list below, in no particular order:

Four Way Street: Crosby, Stills, Nash and Young
Who’s Next: The Who
Aqualung: Jethro Tull
LA Woman: The Doors
The Low Spark of High-Heeled Boys: Traffic

Blue: Joni Mitchell
Tupelo Honey: Van Morrison
At Fillmore East: Allman Brothers
Every Good Boy Deserves Favour: Moody Blues
Fog On The Tyne: Lindisfarne

New Riders of the Purple Sage: New Riders of the Purple Sage
Stones: Neil Diamond
Welcome to the Canteen: Traffic
The Yes Album: Yes
Weather Report: Weather Report

Teaser and the Firecat: Cat Stevens
Stephen Stills 2: Stephen Stills
Songs for Beginners: Graham Nash
Rainbow Bridge: Jimi Hendrix
Nilsson Schmilsson: Nilsson

Mud Slide Slim and The Blue Horizon: James Taylor
Pearl: Janis Joplin
Hunky Dory: David Bowie
Tumbleweed Connection: Elton John
Every Picture Tells A Story: Rod Stewart and the Faces
Led Zeppelin IV: Led Zeppelin
Songs Of Love and Hate: Leonard Cohen
Imagine: John Lennon
Santana (3): Santana
Surf’s Up: The Beach Boys

A Nod is as good as a Wink: Rod Stewart and The Faces
Cahoots: The Band
Little Feat: Little Feat
Tapestry: Carole King
American Pie: Don McLean

Sticky Fingers: The Rolling Stones
Meddle: Pink Floyd
The Doobie Brothers: The Doobie Brothers
Fragile: Yes
Emerson, Lake and Palmer: Emerson, Lake and Palmer

Poems, Prayers and Promises: John Denver
There’s A Riot Going On: Sly and the Family Stone
Wildlife: Mott the Hoople
What’s Going On: Marvin Gaye
The Concert for Bangla Desh: George Harrison and Friends

Madman Across The Water: Elton John
Electric Warrior: T.Rex
Chicago III: Chicago
Blessed Are… Joan Baez
Fireball: Deep Purple

There’s a lot I left out. 1971. What a year.

A leading indicator for growing old?

We all get stuck in our ruts, do our habitual haunting of our comfort zones. Take music for example. I spend most of my time listening to music made between 1964 and 1973; probably half my music is from the period 1966-1971. I enjoy my jazz and blues and classical; I do listen to music made after 1973, but just not that much. And, with children aged 21, 16 and 9, I get a vicarious feel for modern music.

Or so I thought.

Until I looked at this list at Debanter, a blog I found via twitter. And I couldn’t recall hearing of any of the bands or albums, much less actually hearing any of them.

Maybe this is the kind of stuff Casablanca listens to while pooh-poohing Jermolene’s taste? One way or the other, I have to try them out. Because.