Tag: #DEAct

On pasta and music and copyright

I love food. I love cooking. I use the analogy of food to learn about information: in fact, I’ve nearly finished writing a book that looks in detail at information as if it were food. One of the foods I love is pasta. Glorious pasta.

[I’m attributing this to Red Giraffe, though I came across this elsewhere without any attribution.]

Nobody quite knows precisely where pasta comes from, where and when pasta began. The web is a rich resource for satisfying any curiosity you may have on the topic; suffice it to say that most of the stories involve thousands of years, a lot of dead people (usually Greeks, Romans and Chinese) and even the odd saint or two. Marco Polo doesn’t quite make the cut, but that doesn’t prevent the Chinese having a stake in the ground millenia earlier.

Some of the stories are more recent and more enjoyable (albeit slightly less credible) such as this one, harvested from the Alexandra Palace Television Service over fifty years ago:

Some of the stories may be hard to believe, but nevertheless people agree on a number of things:

  • Pasta has been around since the year dot.
  • Pasta is made by mixing ground kernels of grain, usually wheat,  with water or egg; while Italian pasta tends to be made of durum wheat and no other, other types of grain are in use elsewhere.
  • Pasta used to be made by hand (or more precisely, foot); since 1740 or so machines have also been used to make pasta.

[attributed with thanks to Donovan Govan]

Pasta comes in many shapes and sizes and forms; if you’re interested, read the wikipedia article. If you want to delve deeper, there is probably no better book than Oretta Zanini de Vita’s Encyclopaedia of Pasta.

[Attributed with thanks to FoodieSteve’s blog]

Pasta proclamations, even patents, have been around for a long time, perfidious and pusillanimous attempts to pervert people’s creativity. There have even been designers who’ve tried their hand at new forms of pasta:

Giorgio Giugiaro’s Marille pasta

Philippe Starck’s Mandala pasta

Think about pasta. Today, anyone can make pasta. Kafkaesque bureaucracies can make up rules about the nature of the grain used, the water used, the egg, whatever, but basically every human being has a right to decide what to make pasta out of. You can buy machines to make pasta. But you don’t have to. You can buy “readymade” pasta made by someone else, or even try and make similar pasta at home yourself. You can even go to the extreme, and buy not just the pasta but the love and labour that goes into making and serving a dish with pasta: you can go to a restaurant and pay a chef to do that for you, pay waiters to serve it to you.

Basically, you can do what you like with pasta, starting with the wheat and water and ending with the cooked meal. At each stage, you have the choice of whether you want to pay someone else to do something or not. Someone else can make the pasta for you. Sell you a machine to make pasta. Write a book and tell you how to make the pasta. Or the meal itself. Someone else can cook it for you, amateur or professional. There are a million ways people can participate in the design, making, cooking and eating of pasta, a million ways people can make money with pasta.

Wonderful, isn’t it? The freedom and creativity that has given us over 1300 types of pasta over centuries, shared and enjoyed by billions.

But you know something? It would take very little to screw all this up, to make a complete codswallop out of pasta. Imagine this scenario:

  • Step 1: Patented genetically modified durum wheat begins to displace “organic” wheats. Over time, all the durum wheat grown in the world is covered by patent. People continue to share recipes and cook and eat at home, and in restaurants.
  • Step 2: The GM wheat manufacturers do deals with pasta machine manufacturers (also patented, of course). You cannot use the machines except with official durum wheat. [This is called putting the DRM in durum, which then gets trademarked as DuRuM]. People continue to share recipes and cook and eat at home and in restaurants. Some people have the gall to build their own machines, some don’t even use machines; they knead the dough with their feet.
  • Step 3: The pasta and pasta machine manufacture and distribution industry does not like this, so, under the guise of public safety, lobbies and gets legislation passed that outlaws all wheat bar non-GM wheat, as happened for a while with mustard oil in India. While they’re at it, home manufacture of pasta is also banned. People continue to do what they’ve been doing for thousands of years, and the legislation isn’t taken seriously.
  • Step 4: The internet arrives, Moore’s Law continues to march, and the digitisation of the pasta world continues. 3D printing becomes reality. People don’t just share recipes with their friends and neighbours any more, they now use the internet to share recipes with people they don’t even know, people living all over the world. Even worse, people start making their own pasta machines even though this is “illegal”. RepRap pasta machine cells spring up everywhere.
  • Step 5: The pasta and pasta machine manufacture and distribution industry, which had been going so well since the middle of the 19th century, is distraught. They find all this modern technology so unfair, despite the irony that they themselves disrupted an entire industry as a result of technological advancement 150 years ago. So they lobby government for even more law, to declare sharing of recipes illegal, to declare 3D machines illegal, to declare the transport and distribution of such recipes and machines illegal. Up goes the cry, the pasta bandit must be stopped. Billions at stake, millions of jobs lost, all because of the pasta bandits.
  • Step 6: Government is so busy looking for WMD in Iraq, looking through their expense claims, looking for oil, looking for lucrative post-government book deals, speaking assignments and suchlike, that they don’t have time to worry about all this. Their noses may have been deep in the trough, but they know what to do every time they hear words like “bandit”. Bandits? We can’t have them. Thieving uncivilised louts, we need to put a stop to this forthwith.
  • Step 7: And so the pasta “bandit” is born. And over time, five thousand years of eating pasta comes to a halt.

Don’t worry, none of this could happen in a civilised country, we have nothing to fear. Especially in civilised countries like the UK, the USA and France.

Think about pasta. And think about music. Think about laws that require you to take down a home video of people singing Happy Birthday to You. Think about laws that require people’s internet connections to be cut off for alleged acts of music “piracy”, somehow seen as criminal theft while being at best, and that too only if proven sufficiently in a court of law, civil offences of copyright infringement. Think about laws that make it impossible to provide free wifi.

Think about the freedoms that are being traded. Yankee Doodle, as the song says “put a feather in his hat and called it Macaroni”.

Soon we won’t have the right to call anything Macaroni. Forget calling a feather macaroni, at the rate our freedoms are being traded we will soon not have the right to call macaroni macaroni. Not unless it was made out of GM durum wheat made using licensed machines on licensed premises, using officially endorsed recipes.

The Digital Economy Act is not about thieves or bandits. It’s about preserving 150-year-old business models that prevent human beings from enjoying 5000-year-old freedoms.

The Silent Spring of the Internet: Part II: Understanding “unpaid”

Yesterday I spent some time thinking about what Rachel Carson experienced in the period leading up to her writing The Sea Around Us, and following that up a decade or so later with Silent Spring. How we can learn from those experiences as we hurtle towards wholesale destruction of the internet and all it stands for, particularly with phenomena like the Digital Economy Act, the DMCA, Hadopi and the most appalling of them all, ACTA. I shared some of those thoughts with you here.

Today I want to spend a little more time on the same subject, but from a different perspective. Let me explain why.

Ever since I got visibly involved in the Digital Economy Bill debate, I have been dismayed by the number of people who spend time accusing me of complete naivete when it comes to the download and fileshare debate. The accusations usually begin with an assumption (on the part of the accusers) that I (and people like me) do not want to see “creators” properly rewarded for their work; this is then extrapolated into further accusations that classify unpaid digital downloading as theft, somehow taking the civil offence of copyright infringement and converting it into a criminal offence, despite the “owner” of the asset continuing to have complete and unfettered access to the asset, despite the extreme nonrival nature of the asset.

When I’ve tried to debate with the accusers, their usual stance has been “don’t talk to me about the need to change intellectual property law, don’t talk to me about how badly broken copyright law is, don’t talk to me about downloaders being the primary buyers, don’t talk to me about fair use and free speech and all that jazz. What you’re talking about is theft, pure and simple. Don’t come back until you’ve got sensible proposals for how creative people get paid for their work.”

So that’s where I want to begin.

Making sure creative people get proper payment for their work.

You see, where I come from, software is a creative business. Software is a creative industry… it must be: after all, the fancy figures for illegal downloads include the “lost revenue” for pirated software. [I am now trying desperately not to give in to the temptation to make up sentences that have words like “hoist” and “with” and “own” and “petard”. After all, this is a smelly enough business as it is].

Where was I? Oh yes. Creative people getting paid for their work.

Yup.

Let’s start with Linux. 60% of all web servers run Linux.  “It would take $10.8 billion dollars to build the Fedora 9 distribution in today’s dollars“. Just one distribution.

Or let’s look at the Apache HTTP Server, which went past the 100 million web sites landmark a year or two ago.

Or let’s look at the volunteers who keep the Internet Storm Center manned and productive.

Or let’s go back in time and look at the volunteers who wrote RFC 675, without which there would be no internet.

Or let’s look at the people who work for and with industry bodies like ICANN and W3C and IETF and, more recently, the Web Science Trust.

All possible because of volunteers. Yes the volunteers may get paid by organisations that can perceive the value generated by such voluntary activity; but this form of payment is closer to patronage than anything else.

Volunteers.

I could go on and on, but I won’t. I hope I’ve made the point already. The point is that for the internet to exist, many things have to be in place. There have to be people willing to invest in stuff; people willing to connect the stuff up; people willing to run the many-headed beast that emerges as a result of connecting the stuff up; people willing to protect the beast as it mutates organically, naturally; people willing to keep trying to find faster, cheaper, better ways of doing things.

It all begins with a state of mind. A willingness to share. A focus on being open, a focus on enabling people at the edge to do things they would otherwise not be able to do.

Without that state of mind there are no volunteers, there is no set of standards and protocols, there is no process, cumbersome or otherwise, to let the internet evolve: there is no internet.

Without that internet there is no goldmine for “rightsholders” to strip of all value. Without that internet artists will get paid even less than they do currently, however unlikely that sounds.


Incidentally, here’s a very instructive method of visualising what musicians get paid: [My thanks to @gapingvoid and to @psfk for sharing it with me].

[Also incidentally, Hugh is a good friend, I love the way he thinks, and I really like his recent passion “Remember Who You Are”. He’s got some really great posts together under that banner. Which is why it was a privilege for me to be able to contribute this post over at Gapingvoid.]

Which brings me to the end of this particular post.

We need to remember who we are. Stewards of the internet. The internet, a concept, a state of mind, a set of values, a network of networks of people, things and infrastructure. Where people live and work and learn and read and create. Oh yes, and where people occasionally listen to music or watch videos.

I’m going to continue to think about the internet, particularly in the context of writings like Jonathan Zittrain’s Future of the Internet; Eben Moglen’s recent speech on Freedom In The Cloud and David Gelernter’s Time to Start Taking the Internet Seriously

The internet was built for sharing. The internet relies on people who share their time freely and passionately.

There is a catch, however. These people expect something in return for the investment they made, the investment they make, the investment they are prepared to continue to make. And that something is this: a free, unfettered internet.

So when the talk in cafes and dinner tables turns to creative people and the need to make sure creative people get paid properly, do make sure you include all creative people and all modes of payment.